Geddington: Coventry made brass to Henry and Ann Jarmon
Magdalen and Queen’s College chapels and St Aldate’s church
Higham Ferrers: Dame Edith Chaunceler, c1435
Brasses with half effigies of George Lassy, Thomas Mason, 1501, and Walter Charyls, 1509, in the ante-chapel of Magdalen College.
Detail of the brass of Henry Robinson, Bishop of Carlisle, 1616, showing Carlisle Cathedral, Queen’s College chapel.
Detail of the tomb of John Noble, died 1522, in St Aldate’s church
Sudborough: members examine the West brass
Lowick: the tomb of Ralphe Greene and his wife
Excursion, Nene Valley, Northamptonshire, 7 June 2008
The excursion visited the churches at Lowick, Sudborough, Rothwell, Geddington, Burton Latimer and Higham Ferrers.
The tower of the old church is now in the care of the local council and was opened for us. Those who were both adventurous and nimble took the opportunity to admire the views from the roof of the tower, from which the tower of the new church could be seen to advantage.

Derrick Chivers, with assistance from Stephen Freeth, the told the story of the brasses. Only two now survive in the church, two more having been lost in the aftermath of the 1955 fire. However, the figures from the brass of John Elrington, 1504, and his wife Joan Bagworth had been purchased in 1931 by the Society of Antiquaries after many years in private possession. As with many of the monuments and brasses at Hackney, Thomas Fisher, who lived not far away, drew the Elrington brass. The slab of this brass lies in its original position near the old tower. The brass of Christopher Urswick had originally been on the floor in front of his monument to the north of the high altar but was now on the monument itself, the inscription on the back panel and the figure and shield on the cover slab. The monument is one of a series with distinctive architecture found in the London area (left).
The brass of John and Margaret Lymsey was almost complete when Fisher drew it but parts disappeared over the next century or so, leaving the male figure, two shields and a fragment of inscription. These remaining parts were lost in the aftermath of the 1955 fire, the state of the indent, with much pitch still in situ, suggesting they were stolen rather than destroyed. The slab itself shows, that like the effigy of John Lymsey, it was reused. It had previously contained two effigies with a foot inscription and four shields at the corners. The idiosyncratic layout of the Lymsey brass, with a pale of children between the feet of the parents, attempted to disguise the reuse.
The brass of Arthur Dericote, a member of the London Drapers Company, in contrast, retains all of its parts bar the shield, which has been replaced in marble. He died in 1562 and is shown with his four wives (below left). The other brass that was found to be missing after 1955 was that of Hugh Johnson, died 1618, who was depicted in his pulpit.It was in a stone frame. Fisher’s ground plan of the old church shows many indents and Fisher made three sheets of drawings of the more interesting ones. They are probably still in their original positions, under the grass that covers the site of the old church, only the Elrington slab now being on the surface.

On a warm summer’s day, members congregated at the church of St John at Hackney. The incumbent, Rev Rob Wickham, gave us news of the Hackney project which will encompass both work on the church and its monuments, and the wider community, with youths gangs a particular problem at the junction of three post codes around the church. David Mander, formerly head of Hackney Archives, then recounted the history of the old and new churches. The most prominent of the pre-Reformation rectors was Christopher Urswick, much involved in affairs of the state before retiring to Hackney, where he died in 1521/2.Although the old church is often referred to as St Augustine’s, this dedication refers to it in pre-Reformation times, and it was latterly St John’s. A new church was built in the 1790s to cater for the increased population of the parish, and the old one taken down except for the tower, which remained in use as a bell tower before the completion of the tower of the new church, and the Rowe chapel, actually a mausoleum. Some of the monuments were placed in the mausoleum, others found their way to the new church. After the demolition of the Rowe chapel, some fragments of the monuments from it were transferred to the new church. The new church survived the second world war only to be badly damaged by a fire in 1955 and reconsecration after repairs took place in June 1958, 50 years before our visit.

Past events 2008
Welcome to the picture gallery of past MBS events.
These days we have only two meetings a year, including our AGM, in London and another at a different London church each year. We prefer to get out and about, holding the remainder of our meetings around the country, often in churches where we can study brasses, incised slabs and other monuments in their architectural context. Although these meetings are very popular with members, many are unable to attend. So, from Spring 2005 we we will providing picture reports of our meetings, to supplement the full written reports that appear in MBS Bulletin.
Graduate Conference, 27 September 2008

The audience listens to the closing remarks
Those who attended the society’s inaugural graduate conference enjoyed a wide selection
of interesting papers:
Ellie Pridgeon, University of Leicester Representations of Saint Christopher in Late-Medieval
Brass: Style and Function
Matthew Sillence, University of East Anglia, ‘Monuments in Miniature’: Architectural
Frameworks on Seals and Brasses
Pam Walker, University of Manchester, Dressing up in death: The comparison of women’s
status as depicted in costume on medieval funerary monuments
Rob Kinsey, University of York Each according to their degree: the brasses of the
Thorpe family
Jon Denton, Hymers College Lineage and Commemoration in Late Medieval England: the
importance of place in gentle identity
Chloe Morgan, University of York, ‘For a Gret Remembrauns’: The Brasses of Ingham,
Norfolk, and John Metham’s Amoryus and Cleopes
Rhianydd Bierbach, University of Swansea Conspicuous by their Absence: Rethinking
explanations for the lack of brasses in medieval Wales
Rupert Webber, Royal Holloway, University of London The use of Medieval Church Brasses
in recognising Local and Religious identities in Late Medieval Gloucestershire
Kelcey Lee, Royal Holloway, University of London A Fifteenth-Century Brass at Swithland,
Leicestershire, and the Commemoration of Female Religious in Late-Medieval England
David Harry, University of Bristol ‘Quod tu es, ego fui; quod ego sum, tu eris’:
cadaver brass inscriptions and the monastic heritage of popular piety in pre-Reformation
England
A full report will appear in the society’s Bulletin